![]() The only thing that changes is their damage. Moss, Shrubb and Forrest) will have the same effect. Q: Do dragon effects scale with level or evolution? A: No. So using Moss and Glowbeans will still give a +37.5% increased chance to find treasure chests, the same as using double Moss or double Glowbeans. The game does not care about type when it comes to effects, only about the effects themselves. Moss and Glowbeans) still have reduced effectiveness for the second dragon? A: Yes. Q: Will using dragons with the same effect, but different type (e.g. This means that in the above example, the second Moss will only give +12.5% chance to find treasure chests, for a total of +37.5% chance to find treasure chests when using 2 Mosses. will using Moss twice increase the chance to find treasure chests by +50%? A: Almost every dragon effect stacks, but the second dragon’s effect will only have 50% effectiveness. This makes the formula look like this: dragon xp = monsters killed + (bosses killed * 50)ĭo note that the armored goblins are considered regular monsters, and will give only 1 experience. ![]() For every monster killed (by all sources, so also by killing them through bomb-bats, rush flowers, etc.) the dragons will get 1 experience, for a boss kill they will get 50 experience. Q: How is dragon experience calculated in regular runs/quests? A: In the same way that player/account experience is calculated. General information about dragons can be found here. ![]() The new legendaries are labeled as rewards from raidbosses, and therefore will not appear from eggs. Q: Is it possible to get the new cool legendaries that were introduced by The Reckoning in eggs? A: No, currently that is not possible. Q: Is there a list of the sale prices of all dragons? A: Yes, it can be found under the chapter ‘Sell value’ on the wiki page. Q: Does zodiac-matchings affect sale price? A: No, only rarity and level matters. Q: When should I sell my dragons, if I'm only interested in legendaries? A: Still at 29, because selling a level 29 dragon and buying a bunch of golden eggs will give you more legendaries on average than selling it at 30 and buying legendary eggs. At level 30, the dragons will give you trophies instead, which is a rather bad currency compared to coins. Q: When should I sell my dragons? A: At level 29, because that is the highest amount of coins that you will get out of a dragon. More information on the subject can be found in this post. Buying golden eggs, levelling the babies you get from them, and selling the evolutions at level 29 will actually make you profit (about 8000 coins per egg). Q: Which type of egg should I buy? A: I did a lot of math on this subject, and the consensus is that golden eggs are the most worthwhile to buy. General information about eggs can be found here. She is actually quite strong when you get used to her, as her magnet will help pick up way more gems from treasure chests, but also picking up clovers, flowers, magnets and trophies. Her pick-up range is bigger than a regular fairy, but smaller than when you pick up the magnet item. Q: I just bought Aurora and I’m very disappointed. Q: Do fairy effects work on quests? A: Some effects work (Sophia, Fiona and Lily), but some others don't (Aurora and Lenore). This is why it is very beneficial to upgrade fairies, even if it is only for sending them on quests. On average, a level 50 fairy will reap double quest rewards than a level 1 fairy. Q: Does fairy level have influence on quest reward? A: Yes, and fairies have way more influence than dragons have. For setting a new high-score: Aurora (in very specific situations, Lenore could also be good). Q: Which fairy should I buy? A: For farming coins: Lily. General information about fairies can be found here.
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Feed your artistic fire with the essential songwriting companion featuring an advanced lyrics editor, a comprehensive copyright tracker and a versatile pitch journal. Double-click on the le InstallTuneSmith and follow the installation instructions. TuneSmith is a songwriting companion program to fine-tune the creation and management of songs. Jimmy Webb is the author of the memoir, The Cake and the Rain, and the “bible” of songwriting, Tunesmith: The Art of Songwriting. Downloaded the TuneSmith installer from our website and navigate to your download folder. TuneSmith, as a songwriting software program offers you a way to enhance your. During this Evening with Jimmy Webb, audiences will hear this multi-Grammy Award winner’s songs and experience his insightful and often humorous stories about his work with Glen Campbell, Frank Sinatra, Linda Ronstadt (“Still Within the Sound of My Voice”), Art Garfunkel (“All I Know”), The Fifth Dimension (“Up, Up and Away”), The Highwaymen (“The Highwayman”), Kanye West (“Famous” features Webb’s “Do What You Gotta Do”), and more. But all this has been simplified by various songwriter software available. These are the features With multiple options, edit lyrics An integrated version of Rhyme Genie that allows you to find songs and rhymes using the same developers. This program is essential if your goal is to be a musician and gives you all the tools you need to work with your song catalogue. Jimmy Webb, America’s Songwriter, has written songs that transcend generations and genres –think “Wichita Lineman,” “MacArthur Park,” “By the Time I Get to Phoenix,” and “Didn’t We.” This Motown-trained composer writes all of his own lyrics and music and is the only hit maker to have scored songs on the Pop, Country, R&B, Rap, Disco and New Age charts. TuneSmith allows you to create and manage songs. = Was saving as 320kbps MP3 so I don't think that's the problem. For example, if you are recording/saving as 128Kbps MP3 or lower, then the quality will not be good. Check these in the software options/preferences. * Your recording settings in your recording software are incorrect. I also tried it with a cheapo external USB card which only has a Mike In and that was equally poor. Tried it with Mike In and it was even worse. Also, check that the input level isn't set too high. Check in the MacOS audio settings to ensure that it is set to line input. * If you are using your computer's built-in sound card, it may be set to mic input instead of line, which would result in a distorted signal. Make sure that the booth output level is not set too high. On the VMS4, you would need to use the booth output. * You may have used the wrong output of your mixer. I've followed the debugging steps suggested above. If I turn the Booth Out down (not that I can turn it down much more) the recording is super quiet and it's just lost in the hiss. The wave form looks fine on Audacity but when I load it into VDJ (or any other media player) the volume is very low (the VDJ wave form is very short compared to the original track) and when I turn up the gain to equalise it there's background noise. On my VMS4.1 this is only just above the first white line on the knob - about 2mm travel from the lowest position (about 8 1/2 o'clock on the knob). I've then adjusted the Booth volume control to just below where I'm getting clipping. Using Audacity, I've turned on the clipping detection, started playing something loud in VDJ, and started recording. I'm on day 3 of my new VMS 4.1 and I started experimenting with recording (from the Booth Out into my PC's Line In, trying with both Audacity and VirtualDJ's built in record) and I'm having similar problems. * As mentioned in the above link, depending on your hardware, you may also be able to use record loopback option in advanced sound config in VirtualDJ to be able to record internally, but this is more complicated to setup than simply using a cable. ![]() ![]() If the quality is poor then: * You may have used the wrong output of your mixer. It is the only way to record when using a real hardware mixer such as that built into the VMS4.1 Using VirtualDJ's internal recording facility won't work correctly with a real hardware mixer because your mixing is being carried out in the hardware after it has left VirtualDJ. This information is correct and does work when followed correctly. ![]() The wordlists for the appâs lessons are derived from these materials, and ranked from common to uncommon. Real World, Real Words - to generate lessons the app digested over 1,000 books and articles for each language.This keyboard models proper hand placement in real time and shows you which finger to use for optimally typing each letter The app makes this easy with its built-in virtual keyboard. ![]() I have an experience in graphic design, branding, game design, mobile apps and web services. We aim to create an extensible application that doesnt use any. Keyboard Trainer - a big part of typing faster is using the proper finger placement. Ive been working in the design industry for more than 10 years.Russian: Russian, Russian PC, Typewriting.French: AZERTY, AZERTY PC, BÃPO, QWERTY Canada, QWERTZ Swiss.Portuguese: Brazilian (ABNT2, Pro), Portuguese.English: QWERTY, COLEMAK, DVORAK, AZERTY, QWERTZ (Swiss), QGMLWY, Neo.KeyKey knows the most popular letter combinations and words of your native language and utilizes them in lesson generation, giving you extra practice for the letter combinations that trip you up Supported languages and layouts: Itâs about training your muscle memory, making your fingers remember the micro motions unique to each language Touch typing is not about key arrangement, as you might believe. Good result can be obtained by using custom-made key-key attachment in restoration of complex maxillofacial defect. Itâs suitable for beginners who want to learn basic touch typing skills, as well as for advanced users seeking to master alternative layouts like COLEMAK or DVORAK. KeyKey is a minimalistic touch typing tutor for Mac. ![]() It’s best to cut them while they are still slightly warm.
![]() ![]() The paper presents a framework for biophilic design that is reflective of the nature-health relationships most important in the built environment – those that are known to enhance our lives through a connection with nature. Terrapin Bright Green, 2012 ), the intent of this paper is to articulate the relationships between nature, science, and the built environment so that we may experience the human benefits of biophilia in our design applications. But how do we move from research to application in a manner that effectively enhances health and well-being, and how should efficacy be judged?īuilding upon “The Economics of Biophilia” ( 1. For decades, research scientists and design practitioners have been working to define aspects of nature that most impact our satisfaction with the built environment. Biophilia may also help explain why some urban parks and buildings are preferred over others. It helps explain why crackling fires and crashing waves captivate us why a garden view can enhance our creativity why shadows and heights instill fascination and fear and why animal companionship and strolling through a park have restorative, healing effects. businesses squander billions of dollars each year on lost productivity due to stress-related illnesses, design that reconnects us with nature – biophilic design – is essential for providing people opportunities to live and work in healthy places and spaces with less stress and greater overall health and well-being.īiophilia is the humankind’s innate biological connection with nature. Given how quickly an experience of nature can elicit a restorative response, and the fact that U.S. Introduction link to this section “In every walk with nature one receives far more than one seeks.” - John Muir, 19 July 1877īiophilic design can reduce stress, improve cognitive function and creativity, improve our well-being and expedite healing as the world population continues to urbanize, these qualities are ever more important. Jonce Walker, CSBA, Terrapin Bright Greenġ.Edward Vessel, PhD, New York University, Center for Brain Imaging.Nikos Salingaros, PhD, University of Texas at San Antonio, Department of Mathematics. ![]() Alan Laird Lewis, OD, The New England College of Optometry.Namita Kallianpurkar, Terrapin Bright Green.Chris Garvin, AIA, Terrapin Bright Green.Nancy Clanton, PE, FIES, IALD, Clanton & Associates, Inc.Zafir Buraei, PhD Pace University, Department of Biology and Health Sciences.Gail Brager, PhD University of California at Berkeley, Center for the Built Environment.Heerwagen & Associates University of Washington, Department of Architecture Sally Augustin, PhD Design With Science Research Design Connections Joseph Clancy, Pegasus Planning Group Ltd Review Committee.We thank Alice Hartley for editorial assistance, Allison Bernett and Cas Smith for production assistance, the Review Committee and Contributors for their technical guidance and expertise, Georgy Olivieri for her relentless energy and dedication to spreading the word, Stefano Serafini and the International Society of Biourbanism for providing guidance and encouragement. This paper was supported by Terrapin Bright Green, LLC. This paper moves from research on biophilic responses to design application as a way to effectively enhance health and well-being for individuals and society. The Patterns lays out a series of tools for understanding design opportunities, including the roots of the science behind each pattern, then metrics, strategies and considerations for how to use each pattern. Design Considerations explores a sampling of factors (e.g., scale, climate, user demographics) that may influence biophilic design decisions to bring greater clarity to why some interventions are replicable and why others may not be. “14 Patterns of Biophilic Design” articulates the relationships between nature, human biology and the design of the built environment so that we may experience the human benefits of biophilia in our design applications.īiophilia in Context looks at the evolution of biophilic design in architecture and planning and presents a framework for relating the human biological science and nature. Theorists, research scientists, and design practitioners have been working for decades to define aspects of nature that most impact our satisfaction with the built environment. Biophilic design can reduce stress, enhance creativity and clarity of thought, improve our well-being and expedite healing as the world population continues to urbanize, these qualities are ever more important. ![]() ![]() The finish was like having a heavy Cabernet Sauvignon aged in oak from Napa. On the palate, the purple and black fruits danced in merriment and were only calmed down with the earthiness of the region. Something else was on the nose and a mystery until the second glass – a soft eucalyptus note that was truly enticing. Fresh cherries and hidden chocolate present themselves with freshness and balance. On the nose, a blast of dark cherries, combined with oak and tannins awakes you instantaneously! But once opened and swirled for a while, you get the “real character” of this wine. ![]() For production 53% new French oak barrels and aged for 16 to 18 months.įirst on the eyes a radiant purple in the glass and medium-heavy viscosity. 2016 Domus Aurea, one of the most classical among the Cabernets from Maipo, contains 10% Cabernet Franc and 5% Merlot. Balance and density untill a generous finish of ripe wild berries, noble spices and an automnal spirit promessing a charming complexity to come.This was a new wine for me, but from a very well-known region of Chile that I have enjoyed over time. The mouth is all about roundness and fleshy texture, also offering deepness thanks to its good structure made of velvety fine tannins. Fresh leather, tobacco, noble spicy wood and dried aromatic herbs rise then above underbrush tones with peppery and meaty accents. TASTING NOTES ✸ The 2015 starts with a deep and lively ruby garnet and offers a quite exhuberant nose of ripe and candied fruits like cherries, blackcurrants and plums with candied lavander. Soft fining with egg whites and very light filtration finish the process. Wood mainly comes from center, Tronçais and Nièvre. Vinification was traditional, as with all Pargua vintages, with a slow and long extraction.įor the 2015 vintage, Pargua aged 18 months in barrels, 60% in new, with varying degrees of medium toast. As for the quality of wines, this year presented very good aromatic expression, juicy and well-structured tannins intensity. However, no precipitation occurred during flowering or harvest, favoring the health of the grapes. The total rainfalls exceeded the records of previous season, but were below to those experienced in the 2012-2013 seasons. In turn he recorded the lowest number of frosty days. HARVEST ✸ Maipo presented high temperatures during the season, which made the record of the highest thermal sum of the last three seasons, winning March 20 being the hottest day since 2012 with 36.2 ☌. The velvety texture keeps moving on untill a generous finish made of ripe spicy berries and grilled aromatic herbs. The mouth is round and juicy, offering a good and balanced body, well backed up by fine integrated tannins. Then come floral tones, subtle spicy oak and meaty accents. TASTING NOTES ✸ Showing a deep and brilliant garnet, the 2015 gives a nose with slightly licourous fruits like cassis and plums. For the 2015 vintage, Anka aged 12 months in barrels, 20% in new, with varying degrees of medium toast. As for the quality of wines, this year presented very good aromatic expression, juicy and well-structured tannins intensity. Vinification was traditional, as with all Anka vintages, with a slow and long extraction. In turn he recorded the lowest number of frosty days. The total rainfalls exceeded the records of previous season, but were below to those experienced in the 2012-2013 seasons. However, no precipitation occurred during flowering or harvest, favoring the health of the grapes. It can be used to plan homework for those with the busiest course load. This app not only tracks basic assigments but will also track lectures, labs, project deadlines, and more. You can’t get much more virtually real than that. Using inexpensive 3D glasses you can see all 500 objects pop off the screen in 3D, and you can spin the objects, in 3D, with the touch of a finger. Pinch-zoom or tap any object to bring it up full screen, where you can split into a pair of stereo 3D images. Choose one and you’ll find that the entire book, stories, captions and all, switches to that language: The Elements includes both the full English original text and over a dozen full translations. Touch the element name at the top of the page and you can see that element’s name in over a dozen different languages. Every one of these objects, well over 500 in total, is a freely rotatable, live object that you can examine from all sides and pinch zoom to see in unprecedented detail. Go to each element's second page and you find a fascinating story about the element, surrounded by carefully photographed objects representing it. This app is one of the best on the iPad and shouldn't be missed. The table is presented in an animated fashion that presents lots of information about each element when tapped. ![]() Special functions such as Min, Max, if.Įvery student has to study the periodic table at some point, and The Elements is a fantastic way to do so. In-app email so you can share graphics and equations. Enhanced 2D mode for great hi-res graphics. Double tap to change visualization modes. Shake to reset view to original state, or to clear entry fields. Swipe to delete equations from the equation list. Support for cartesian, polar, cylindrical and spherical coordinate systems. It has an equation editor that makes it as easy as can be to get the information in the calculator and then solve them with full 2D and 3D graphing.Ĭommonly used equations can be stored for retrieval and graphics can be saved to the photo library on the iPad. This app puts a full graphing calculator inside the iPad. ![]() Thy will be done in earth, as it is in heaven. ![]() Our Father which art in heaven, Hallowed be thy name. Dibagani dika gabuna dekenai ai do oi hakaua vareai lasi, to Satani ena imana dekena amo do oi hamauria ai. Aiemai dika mani oi gwauatao, badina be ai dekenai idia hadikaia taudia edia dika ai gwauatao. Hari dina aiemai aniani mani oi henia ai dekenai. Oiemu Basileia do ia mai, oiemu ura gauna tanobada dekenai do ai karaia, guba dekenai idia karaia bamona. ‘Aiemai Tamana e, guba dekenai oi noho, oiemu ladana do ai hahelagaia. There are two dialects of Hiri Motu: the Papuan or non-central dialect, which is the most widely spoken, and which became the standard for official publications from 1964 and the Austronesian or central dialect, which is closer to Motu in terms of grammar, pronunciation and vocabulary.ĭownload an alphabet chart for Hiri Motu (Excel) The name Hiri Motu was recommended for the language in the early 1970s at a conference held by the Department of Information and Extension Services. Before the New Guinea Police Force was unified in 1946, Hiri Motu was used by the Royal Papuan Constabulary - hence the name Police Motu. Hiri Motu is also known as Police Motu, Pidgin Motu or Hiri. Most are elderly and speak it as a second language. In 1992 there were about 120,000 speakers of Hiri Motu, mainly in the Central and Gulf provinces, especially around Port Moresby, and also in Milne Bay and Western provinces. ![]() Since then Tok Pisin and English have been more commonly used. It became a lingua franca in parts of Papua New Guinea, and was widely used up until the 1960s. The word hiri refers to the trading voyages of the Motu people, and Hiri Motu developed as a way to communicate the people they traded with, who spoke other languages. Motu is a member of the Western Oceanic branch of the Malayo-Polynesian language family. Hiri Motu is spoken in Papua New Guinea, and is a simplified version of Motu, with influences from English, Tok Pisin and other languages spoken in Papua New Guinea. |